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Papers from 2004

The present and future of jazz in the Australia-Pacific region: refereed papers from the first Asia-Pacific Jazz Conference, Philip Hayward and G Hodges

A statistical model to predict episodes of Ross River Virus infection in Northern New South Wales, Australia, Geoffrey Morgan, John R. Beard, Kathy Jong, and Lyndon O. Brooks

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From venom to pain research: a novel use of a scorpaenidae venom, Joan M. O'Connor, Scott T. Hahn, and Lyndon O. Brooks

Papers from 2003

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Health impacts of pesticide exposure in a cohort of outdoor workers, John R. Beard, Tim Sladden, Geoffrey Morgan, Geoffrey Berry, Lyndon O. Brooks, and Anthony McMichael

At the confluence: Slim Dusty and Australian country music, Jon Fitzgerald

North country: Graeme Connors and tropical Queensland, Jon Fitzgerald

Popular music theory and musicianship, Jon Fitzgerald

Outback and urban: Australian country music, Philip Hayward

Roots and crossovers: Australian country music, Philip Hayward and Geoff Walden

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Can we skill and activate children through primary school physical education lessons? "move it groove it": a collaborative health promotion intervention, Eric van Beurden, Lisa M. Barnett, Avigdor Zask, Uta C. Dietrich, Lyndon O. Brooks, and John R. Beard

Papers from 2002

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How active are rural children in Australian physical education?, Lisa M. Barnett, Eric van Beurden, Avigdor Zask, Lyndon O. Brooks, and Uta C. Dietrich

Another front: the impact of British pop within New South Wales (Australia) 1963-1966, Jon Fitzgerald

The impact of British pop within New South Wales (Australia) 1963-1966, Jon Fitzgerald

Hearing the call: music and social history on Lord Howe Island, Philip Hayward

Papers from 2001

A way to explore the concept of rhythm hooks in popular music: Burns' (1987) rhythm hooks category applied to top 40 hits by the Police, Alan Anderson and Jon Fitzgerald

Tide lines: music, tourism and cultural transition in the Whitsunday Islands (and adjacent coast), Philip Hayward

Questions of origin: George Telek and David Bridie's collaborative recordings, Philip Hayward and Denis Crowdy

Mokuyo-to no ongaku: music and the Japanese community in the Torres Strait (1890-1941), Philip Hayward and Junko Konishi

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Active school playgrounds- myth or reality? results of the 'Move It Groove It' project, Avigdor Zask, Eric van Beurden, Lisa M. Barnett, Lyndon O. Brooks, and Uta C. Dietrich

Papers from 2000

Lennon-McCartney and the 1960s British invasion, Jon Fitzgerald

A glad round of melody and song: Frank Hurley and the Music of Erub, 1920/21, Philip Hayward

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Cultural tectonics, Philip Hayward

Local syncretism: emergent pacific musics, Philip Hayward

Riding the rhythm: a short survey and critique of Australian popular music studies and its relationship to mainstream Australian ethno-/musicology, Philip Hayward

Papers from 1999

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From the ashes: a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions, Denis Crowdy and Philip Hayward

Musical transport: Van Dyke Parks, Americana and the applied orientalism of Tokyo Rose, Jon Fitzgerald and Philip Hayward

Tropical cool: the Arthur Lyman sound, Jon Fitzgerald and Philip Hayward

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Inter-planetary soundclash: music, technology and territorialisation in Mars attacks!, Philip Hayward

Widening the horizon: exoticism in post-war popular music, Philip Hayward

Papers from 1998

Music at the borders: Not drowning, Waving and their engagement with Papua New Guinean culture 1986-96, Philip Hayward

Picture this: media representations of visual art and artists, Philip Hayward

Sound alliances : indigenous peoples, cultural politics, and popular music in the Pacific, Philip Hayward

The Papua New Guinea music industry and the world music market, Philip Hayward

Papers from 1997

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Calling the tune: CD-ROMs and the Australian music industry 1995-96, Ian Czencz and Philip Hayward

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Songwriters in the U.S. top forty, 1963–1966, Jon Fitzgerald

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Danger! Retro-affectivity!: the cultural career of the Theremin, Philip Hayward

One instrument, many voices, Philip Hayward and K Neuenfeldt

Papers from 1996

"Down into the fire": a case study of a popular music recording session, Jon Fitzgerald

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Lennon‐McCartney and the “middle eight”, Jon Fitzgerald

Popular songwriting 1963-1966: stylistic comparisons and trends within the U.S. top forty, Jon Fitzgerald

A fine mess: video art and video criticism in the 1970s and 1980s, Philip Hayward

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Ben Greenman, net music (New York: Michael Wolff and Company/ Random House, 1995), 393pp. ISBN 0 679 76385 6; and Ian Peel, Music and the Internet (Bath [UK]: Future Publishing, 1996), Philip Hayward

Papers from 1995

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Motown crossover hits 1963–1966 and the creative process, Jon Fitzgerald

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When the Brill building met Lennon‐McCartney: continuity and change in the early evolution of the mainstream pop song, Jon Fitzgerald

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Enterprise on the new frontier: music, industry and the internet, Philip Hayward

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Window of opportunity CD-ROMs, the international music industry and early Australian initiatives, Philip Hayward and Geraldine Orrock

Papers from 1993

Future visions: new technologies of the screen, Philip Hayward and Tana Wollen

Papers from 1992

Does dietary change follow nutrition advice given at public cholesterol screening?, K Fardon, Eric van Beurden, R James, J Christian, and Lyndon O. Brooks

Advanced technologies and the role of critical theory, Philip Hayward

From pop, to punk, to postmodernism: Australian popular music and culture from the 1960s to the 1990s, Philip Hayward

Sound commodities: copyright, sampling & cultural politics, Philip Hayward

Papers from 1991

Culture, logic and criticism, Philip Hayward

Culture technology and creativity: in the late twentieth century, Philip Hayward

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Desire caught by its tale: the unlikely return of the merman in Madonna's Cherish, Philip Hayward

Papers from 1990

How ABC capitalised on cultural logic, Philip Hayward

Papers from 1989

Rhapsodies of difference, Philip Hayward

Papers from 1988

Beyond reproduction: art, audiovisual culture and the implications of technological innovation, Philip Hayward

Picture this: media representations of visual art and artists, Philip Hayward

Papers from 1987

Postmodernism - an introduction, Philip Hayward

Papers from 1984

Implosive critiques - a consideration of Jean Baudrillard's in the shadow of the silent majorities, Philip Hayward