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Papers from 2014

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Sugar baby, Dallas J. Baker

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The Burial, essay, Dallas J. Baker

Harriet Chandler: a novella, Moya Costello

'The family regiment' and 'On the ironing board', Moya Costello

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Watershed, Fiona V. Fell

Denise Rall, Wes Hill

Haris Epaminonda, Wes Hill

Australia in the Asian century: a decolonizing and cosmopolitan perspective, Baden Offord

Queer(y)ing illiberal pragmatism in Singapore, Baden Offord

Inside Australian culture : legacies of enlightenment values, Baden Offord, Erika Kerruish, Robert Garbutt, Kristen Pavlovic, and Adele Wessell

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Making screen production work at the margins: path-dependent development in Brisbane and the Gold Coast, Tom O'Regan and Susan Ward

Afterword: the military in contemporary fashion, Denise N. Rall

Costume and conquest: introducing a proximity framework for post-war impacts on textile and fashion, Denise N. Rall

Fashion and war in popular culture, Denise N. Rall

Overview, Denise N. Rall

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Editorial: when time stands still, Cornelius Martin Renes

Ten canoes and reel indigenous Australians: the chronotopical politics of ab/originality in film-making, Cornelius Martin Renes

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Wandering beneath the grace of clouds: an interview with Janie Conway-Herron, Maarten Renes and Janie Conway-Herron

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Interpretive practice and redifining meaning in Harry Potter, Jessica L. Seymour

Introduction, Jessica L. Seymour, A Chauvel, and N Lamerichs

Role of the interdisciplinary/multidisciplinary team, Sheree MS Smith, Annette James, Geoffrey Mitchell, Michelle Bissett, Lee Zakrzewski, Anthony Wright, Susan Balandin, Michelle Lincoln, and Mark Hughes

Papers from 2013

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An introduction to Pacific solutions in hindsight, Isabel Alonso and Cornelius Martin Renes

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Creative writing praxis as queer becoming, Dallas J. Baker

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I’m going to set you to boiling baby, script, Dallas J. Baker

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Scriptwriting as creative writing research: a preface, Dallas J. Baker

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Roll out the red carpet: Australian nurses on screen, Cathy Bridgen and Lisa Milner

Mandarin Skyline, sound recording (CD), Leigh Carriage

Brass bands, icebergs and jazz: the first fifty years of music on passenger ships (1889-1939), David Cashman

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Popular music venues on cruise ships as touristic spaces of engagement, David Cashman

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Review of 'Bruce Springsteen, cultural studies, and the runaway American dream' by K Womack, J Zolten & M Bernhard, Ashgate, Burlington, VT, 2012, David Cashman

The golden fleece: music and cruise ship tourism, David Cashman and Philip Hayward

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Fabricating space: postmodern popular music performance venues on cruise ships, David W. Cashman

Skimming the surface: dislocated cruise liners and aquatic spaces, David W. Cashman

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Heaven and hell at the Paradise Motel, Tessa S. Chudy

Catholics, conflicts and choices: an exploration of power relations in the Catholic Church, Angela Coco

Mandatory detention: twenty years of inhumane public policy, Jo Coghlan

after / image, video recording, Grayson Cooke

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Live A/V in Australia, Grayson Cooke

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Live research in audio-visual performance: conceptualising 'outback and beyond', Grayson Cooke

Arts and crafts at the agricultural show, short story, Moya Costello

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Reading the senses: writing about food and wine, Moya Costello

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To see: a literary ecological point of view, Moya Costello

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Mud map: Australian women's experimental writing, Moya Costello, Barbara Brooks, Anna Gibbs, and Rosslyn Prosser

I don’t remember, Moya Costello and Patricia Costello

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Bibere vinum suae regionis: why Whian Whian wine, Moya Costello and Steve Evans

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Making memories on cloth, or Miss Liberty’s pinafore: a collaboration in textile narrative, Moya Costello and Denise N. Rall

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Subtle idiosyncracy: sound and music in the Australian animated short film 'The Lost Thing' (2010), Rebecca Coyle, Jon Fitzgerald, and Philip Hayward

Time warp: sonic retro-futurism in the Jetsons, Rebecca Coyle and Alex Mesker

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Understanding single older women's invisibility in housing issues in Australia, Sandy Darab and Yvonne Hartman

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Indefinite Densities, Fiona V. Fell

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La obra perfecta, video recording, Fiona V. Fell, Raimond De Weerdt, and Cornelius Martin Renes

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What can the unemployed teach us about work?, Hazel Ferguson

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Post-organic? the cultural dimensions of organic farming in the Northern Rivers of New South Wales, Hazel Ferguson and Mike Evans

Upside-down world: Jerry Goldsmith's landmark score for Planet of the Apes (1968), Jon Fitzgerald and Philip Hayward

Embedding a personalised online learning environment in a social work curriculum: opportunities and challenges, Hilary Gallagher, Lester J. Thompson, and Mark Hughes

Living stones: building the spiritual temple: a centenary history of Lismore Baptist Church, Ruth Gallagher, Jim Gallagher, Luz Press, Ted Railton, Robert Garbutt, Sigrid Challender, John Wilson, Olive Laverty, Una Railton, and Dorrie Garbutt

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Wood for the trees, Robert Garbutt and Moya Costello

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13 ways of looking at a butcherbird, notated music, Michael Francis Hannan

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Ancient cedar trees, sound recording (CD), Michael Francis Hannan

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Birds calling in cloud valley, notated music, Michael Francis Hannan

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Chaconnery, notated music, Michael Francis Hannan

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In the utter darkness, notated music, Michael Francis Hannan

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Mood variations, sound recording (CD), Michael Francis Hannan

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Trois gymnopédies d'après satie, notated music, Michael Francis Hannan

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Ancient cedar trees impro 3, sound recording (CD), Michael Francis Hannan and Mic Deacon

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Ancient cedar trees impro 1, sound recording (CD), Michael Francis Hannan and Tinkler S

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African polyphony, sound recording (CD), Michael Francis Hannan, Scott Tinkler, and Mic Deacon

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Beespeak remix, sound recording (CD), Michael Francis Hannan, Scott Tinkler, and Mic Deacon

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Beespeak, sound recording (CD), Michael Francis Hannan, Scott Tinkler, and Mic Deacon

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Catzniteout, sound recording (CD), Michael Francis Hannan, Scott Tinkler, and Mic Deacon

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Improvisations and comprovisations, sound recording (CD), Michael Francis Hannan, Scott Tinkler, and Mic Deacon

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Quaquaversal, sound recording (CD), Michael Francis Hannan, Scott Tinkler, and Mic Deacon

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Whale song, sound recording (CD), Michael Francis Hannan, Scott Tinkler, and Mic Deacon

Rematerialisation: musical engagements with the British TV series Dr Who, Philip Hayward and Jon Fitzgerald

Rematerialization: musical engagements with the British TV series Doctor Who, Philip Hayward and Jon Fitzgerald

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The wall reports (exerpt), Ashley Haywood

Buyuhyn-Wana: the transformative persona, Matthew Hill

Fad or future? exploring affordances of virtual worlds for music performance education, Matthew Hill and Lisa Jacka

Christopher Hanrahan, Wes Hill

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Darren Sylvester, Wes Hill

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In focus: Emily Floyd, Wes Hill

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Maria Kontis, Wes Hill

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Peter Tyndall, Wes Hill

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Song Dong, Wes Hill

The outmoded in contemporary art, Wes Hill

The outmoded in contemporary art, Wes Hill

The politics of curating Australia's Asia Pacific Triennial, Wes Hill

The politics of curating Australia's Asia Pacific Triennial, Wes Hill

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Voice and reason, Wes Hill

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Editorial: celebrating Australian social work: 66 years young, Mark Hughes

Sexuality and social work, Mark Hughes

Discussing end of life caer planning with LGBT people, Mark Hughes and Colleen M. Cartwright

XEmbedding a personalised online learning environment in a social work curriculum: opportunities and challenges, Mark Hughes, Hilary Gallagher, and Lester J. Thompson

Health and wellbeing of LGBTI seniors in New South Wales, Mark Hughes and S Kentlyn

Getting published in Australian social work: sharing tips and resources, Mark Hughes, Bruce Lord, and Joshua Pitt

Electronic portfolios and personalised learning environments: opportunities and challenges in using online technology in a new social work programme, Mark Hughes, Lester J. Thompson, and Hilary Gallagher

Organisations and management in social work: everyday action for change, Mark Hughes and Michael Wearing

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Designing contemporary music courses for the 21st century musician: virtual worlds as a live music performance space, Lisa Jacka and Matthew Hill

Thinking with film: engaging the emotions, Erika Kerruish

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Information truth and meaning: a response to Budd's prolegomena, Robert G. Lingard