Papers from 2012


Moving forward with an action plan: political campaigning on the big screen, Lisa Milner

2012 Studies in Australasian Cinema 6:2 125-140.

Strikes online: union films on YouTube, Lisa Milner

2012 Social Alternatives 31:2 11-16.

Hands-on learning, long-distance delivery: teaching media to dispersed tertiary students: a case study, Lisa Milner and Grayson Cooke

2012 Screen Education 68 90-96.


From bananas to biryani: the creation of Woolgoolga Curryfest as an expression of community, Lisa Milner and Mandy Hughes

2012 Locale 2 119-139.

Laying your cards on the table: representations of gambling in the media, Lisa Milner and Elaine Nuske

2012 Australian Journal of Communication 39:2 83-99.


Paronella Park: the dreams continues, Annie Mitchell

2012 Conference proceedings Soundtracks, Music, Tourism and Travel.


Raising the bar, Annie Mitchell

2012 Educating professional musicians in a global context: 19th International Seminar of the ISME Commission for the Education of the Professional Musician (CEPROM) 78-83.

Salmon swimming upstream: a cross-disciplinary online encounter about autoethnographic research and thesis writing, Nollie Nahrung and Stephen Rowe

2012 Encounters: place, situation, context: the refereed proceedings of the 17th Annual Conference of the Australasian Association of Writing Programs.

Comments: Immigrants, refugees, citizenship, international migration to the Pacific Region, Baden Offord

2012 Pacific and American Studies 12:March 54-57.


A scholarly affair: activating cultural studies in the wilds of the knowledge economy, Baden Offord, Grayson Cooke, and Robert George Garbutt

2012 Continuum: Journal of Media & Cultural Studies 26:2 187-190.

Peace building education: enabling human rights and social justice through cultural studies pedagogy, Baden Offord and John Ryan

2012 Activating human rights and peace: theories, practices and contexts.

What would Kant think? testing truth claims in research traditions, and proposing deeper meanings for the concept of "search", Denise N. Rall

2012 Web search engine research 281-313.


Connecting silos: inviting art and science interactions, Amanda Jean Reichelt-Brushett and John Smith

2012 Leonardo: Art, Science and Technology 45:5 484-485.

Supporting children's rights though the service environment: a central role for staff at the periphery, Elizabeth Reimer

2012 Proceedings of Children's rights: what's right for children? what's right for children, young people and families?: Association of Children’s Welfare Agencies Conference.

Alexis Wright’s fiction: Dreamtime narrative as resistance writing, Cornelius Martin Renes

2012 Dynamics of Civil Engagement Conference.


Introduction, Cornelius Martin Renes

2012 Coolabah 8, Remembering Ruby, special edn..

Kim Scott's storying, Cornelius Martin Renes

2012 ASAL 2012 Conference: The Colonies.

The blind spot in our postcolonial eyes, Cornelius Martin Renes

2012 Looking back to look forward: Internation Congress.

Living poetics, Kim M. Satchell

2012 Endangered species day.

Poetic interventions, Kim M. Satchell

2012 Bellingen Readers and Writers Festival 2012.

Regaining consciousness: a field guide, Kim M. Satchell


Rereading the country ontopoetic ethics for nomadic thought, Kim M. Satchell

2012 CSAA Conference: materialities: economies, empiricism, & things.


Sing me Byron Bay, Kim M. Satchell

2012 Continuum: Journal of Media and Cultural Studies 26:2 249-259.

Surfing and ecology: in conversation, Kim M. Satchell

2012 Bellingen Readers and Writers Festival 2012.

The poetics of abundance, Kim M. Satchell

2012 Bellingen Readers and Writers Festival 2012.

Writing surfing, Kim M. Satchell

2012 Bellingen Readers and Writers Festival 2012.

Harry Potter and the house-elf rebellion, Jessica Seymour

2012 Write4Children: The International Journal for the Practice and Theories of Writing for Children and Children’s Literature 3:2 28-39.

Clockwork, corsets and fabricated beasties: women and identity in YA steampunk, Jessica L. Seymour

2012 Encounters: place, situation, context: 17th Annual Conference of AAWP (Australasian Association of Writing Programs).


Aboriginal organizational response to the need for culturally appropriate services in three small Canadian cities, Dixon Sookraj, Peter Hutchinson, Mike Evans, and Mary Ann Murphy

2012 Journal of Social Work 12:2 136-157.


Anatomical imag(inari)es: the cultural impact of medical imaging technologies, Elizabeth Stephens

2012 Somatechnics 2:2 159-170.

Geeks and gaffs: the queer legacy of the 1950s American freak show, Elizabeth Stephens

2012 Queer 1950s : rethinking sexuality in the postwar years 183-195.

Heterosexuality: an unfettered capacity for degeneracy, Elizabeth Stephens

2012 A cultural history of sexuality in the age of empire 27-42.


Sensation machine: film, phenomenology and the training of the senses, Elizabeth Stephens

2012 Continuum: Journal of Media & Cultural Studies 26:4 529-539.


The bad homosexual: Genet's perverse homo-politics, Elizabeth Stephens

2012 Sexualities: studies in culture and society 15:1 28-41.

The queer space of the freak show, Elizabeth Stephens

2012 Queer and subjugated knowledges: generating subversive imaginaries 48-55.

Narratives of Australia: compassion or brutality for those who need help, Lester J. Thompson

2012 New Community Quarterly 10:2.

Exploring indigenous social attitudes and priorities in Australia, Lester J. Thompson, Bronwyn Fredericks, David Wadley, Clive Bean, and Maggie Walter

2012 Journal of Australian Indigenous Issues 15:1.

Dirtgirlworld: corporate social responsibility and ethical consumption in the world of children's television programming, Sue Ward

2012 Media International Australia, Incorporating Culture & Policy 145 29-38.

Fractured motherhood: the insanity of reproduction in Australia in the 1930s, Alison Watts

2012 Moms gone mad: motherhood and madness, oppression and resistance 64-78.


Having our cake and eating it too: a reading of royal wedding cakes, Adele Wessell

2012 Australasian Journal of Popular Culture 2:1 47-56.

Papers from 2011


A good bloke, short story, Dallas Angguish

2011 Polari Journal: transVerse special issue.

America divine: travels in the hidden south, Dallas Angguish


Cherry blossom bicycle crazy, Dallas Angguish

2011 When you're a boy other boys check you out 6-17.


Creative and critical reflexivity: queer writing as an ethics of the self, Dallas J. Baker

2011 Ethical imaginations: writing worlds - ethical concerns and their implications in literature and writing: Australasian Association of Writing Programs' 16th Annual Conference.


Inscribing the queer: review of Elizabeth Stephens 'Queer writing: homoeroticism in Jean Genet's fiction', Dallas J. Baker

2011 Text 15:2.

Queering practice-led research: subjectivity, creative practice and performative research, Dallas J. Baker

2011 A scholarly affair: Cultural Studies Association of Australasia National Conference, 2010 17-28.


Queering practice-led research: subjectivity, creative practice and performative research and the creative arts, Dallas J. Baker

2011 Creative Industries Journal 4:1 111-116.

Studying for social work, Eileen Baldry, Mark Hughes, Linda Burnett, and Ian Collinson


Knowledge, power and decolonization: implication for non-indigenous scholars, researchers and educators, Soenke Biermann

2011 Indigenous philosophies and critical education: a reader 386-398.


Review of 'Higher education and social justice', by A Furlong & F Cartmel, Society for Research into Higher Education and Open University Press, Maidenhead, 2009. ISBN: 9780335223626, Soenke Biermann

2011 The Australian Educational Researcher 38:1 125-127.


Facilitiating ‘storied relationships to a place’: the capacity of the university to lead communities towards resilience through creative arts activities, Donna Lee Brien and Lynda Hawryluk

2011 Text 12.

Chamber music recital, Judith, Stuart & Friends, (March), live performance, J Brown and Matthew Marshall


Chamber music recital, Judith, Stuart & Friends (September), live performance, J Brown and Matthew Marshall



Repercussions of uniqueness for the 21st century vocalist, Leigh Carriage

2011 Promoting excellence in music education: 8th Asia-Pacific Symposium on Music Education Research (APSMER).


Tahitian choreo-musical performance on cruise ships: staged authenticity and postmodern tourism, David Cashman

2011 Refereed papers from The 7th International Small Island Cultures Conference 20-27.


Using communications theory to explore emergent organisation in Pagan culture, Angela Coco

2011 Australian Religion Studies Review 24:2 150-174.

The criminalisation of asylum seekers, Jo Coghlan

2011 Alternative Law Journal 36:2 119-120.

Western media and Indonesian politics: gender, religion and democracy: how the western media report Indonesian politics, Jo Coghlan



Freedom to lead: narrative and advocacy among Burmese women refugees on the Thai/Burma border, Janie Conway-Herron

2011 Text : Journal of Writing and Writing Courses 12:Special issue.


What is happening is real, Janie Conway-Herron

2011 Coolabah 5 102-111.


White Australia's black history: writing Australian cultural sensitivities, Janie Conway-Herron

2011 The ethical imaginations: writing worlds papers: the refereed proceedings of the 16th Annual Conference of the Australasian Association of Writing Programs 1-9.


Ethical imaginations: writing worlds papers: the refereed proceedings of the 16th conference of the Australasian Association of Writing Programs 2011, Byron, Bay, NSW, Janie P. Conway-Herron, Moya C. Costello, and Lynda Hawryluk



Liveness and the machine: improvisation in live audio-visual performance, Grayson Cooke

2011 Screen Sound 2 9-26.

Outback and beyond: a live Australian western, live performance (audio visual), Grayson Cooke


Ashley Taylor Studio 1983, exhibition, Moya Costello


Why study writing at uni?, Moya Costello

2011 Northerly January-February.


Musical modernism in Brian May's Australian film scores, Rebecca Coyle and Michael Francis Hannan

2011 Screening the Past 32.

The voice in which it is told: the importance of the human voice in life stories and folktales, Iris Curteis

2011 International Journal of the Arts in Society 5:5 237-252.


Psychic wounds and the social structure: an empirical investigation, Sandy Darab and Yvonne A. Hartman

2011 Current Sociology 59:6 787-804.


Environmental silence and its renditions in a movie soundtrack, Isabelle Delmotte

2011 Australasian Journal of Ecocriticism and Cultural Ecology 1 58-67.

Innovative networks in Vanuatu: tourism and cultural industries, Thomas Dick, Ben Farr-Wharton, and Kerry A. Brown

2011 Refereed papers from the 7th International Small Islands Conference.

Metis of British Columbia: culture, tradition and the contemporary community, website, Mike Evans


Ceramics in collaboration: ceramics, plastic and digital media, Fiona V. Fell

2011 Craft Australia.


Just act natural, Fiona V. Fell

2011 Watters Gallery, East Sydney, NSW, 5-22 October.

Reload: one night stack, exhibition, Fiona V. Fell

2011 Grafton Regional Gallery, Grafton, NSW, 25 May - 3 July.


I'interruption, video recording, Fiona V. Fell and Raimond de Weerdt


Black pop songwriting 1963-1966: an analysis of U.S. top forty hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland, Jon Fitzgerald

2011 Pop music and easy listening 97-140.

Soapbox choreography I, II & III, Robert Garbutt

2011 Art in Chemistry, Chemistry in Art (exhibition).

The locals: identity, place and belonging in Australia and beyond, Robert George Garbutt



The folklore of death: 'cantos de angeles' and cultural syncretism on the island of Chiloe, Waldo Garrido and Sandra Garrido

2011 7th International Small Island Cultures Conference.


Scoring Essington: composition, comprovisation, collaboration, Michael Hannan

2011 Screen Sound 2 48-63.

The Fifth continent (works by Peter Sculthorpe), Michael Francis Hannan

2011 ABC Classics.


Zen variations, sound recording (CD), Michael Francis Hannan


Queer(y)ing pedagogy and cultural studies: critical reflections on teaching sexuality, She Hawke and Baden Offord

2011 Queerying paradigms II: interrogating agendas 191-208.


Behind the pages, Lynda Hawryluk

2011 Be 12.


On island time: the writing workshop as cultural tourism, Lynda Hawryluk

2011 7th International Small Islands Cultures Conference 42-49.


Remote musical collaboration and gestural interactions, Barry J. Hill and Joshua Batty

2011 Interact Connect Workshop.


Beneath Clouds and The Boys: jazz artists making film music, Matthew Hill

2011 Screen Sound 2 27-47.

Out of the speakers: analysis tools for recorded music, Matthew Hill

2011 Making sound waves: diversity, unity, equity: Proceedings of the XVIII Australian Society for Music Education National Conference 135-143.


Ai WeiWei, Wes Hill

2011 Eyeline 73.


Charley Harper, Wes Hill

2011 Frieze:142.


Dirk Stewen, Wes Hill

2011 Frieze d/e 3.


Into the trees: the forking paths of Gary Carsley, Wes Hill

2011 Art & Australia 49:1.

La Biennale di Venezia: 54th international art exhibition 2011, Wes Hill

2011 Eyeline 75.


Matt Mullican, Wes Hill

2011 Artforum International.


Paul Laffoley, Wes Hill

2011 Artforum International.


Plamen Dejanoff, Wes Hill

2011 Artforum International.


Sarah Ryan, Wes Hill

2011 Art & Australia 48:4.


Zoe Leonard, Wes Hill

2011 Frieze 143.

Lemurs, roswell, wheat, pyramids, mosquitoes, yellow skin, humans that lay eggs, nazi aryanism, Wes Hill and Wendy Wilkins