Papers from 2007
Signs of life: writing, information and the human constitution, Grayson Cooke
Harriet's historical makeover, Moya Costello
In the world under a soft cover, Moya Costello
Textuality, mutability and learning to write, Moya Costello
Daniel Goldmark, tunes for 'Toons: music and the Hollywood cartoon, Rebecca Coyle
Showing some fight: Kemira’s challenge to industrial relations, Rebecca Coyle and Lisa Milner
Transition to university: female students' coping mechanisms, Sandy Darab
How the WorkChoices and Welfare to Work reforms are affecting people in one region of New South Wales: preliminary findings, Sandy Darab and Yvonne A. Hartman
Autochthony/Localization/Aboriginality and island peoples in world system, Mike Evans
Sandalwood, markets, and super-ordinate kin: property, propriety, and ecology in contemporary Tonga, Mike Evans
Black pop songwriting 1963-1966: an analysis of US top forty hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland, Jonathon Fitzgerald
Communities: a review article, Robert George Garbutt
Community engagement: innovation through Higher Education Equity Support projects, Robert George Garbutt and Baden Offord
AIR Annual 2006 (various artists), Michael Francis Hannan
Beautiful place (Wordfly), Michael Francis Hannan
Beautiful thing (Sarah McGregor), Michael Francis Hannan
Circular breathing (Kate Miller-Heidke), Michael Francis Hannan
Double exposure (winduptoys), Michael Francis Hannan
Earl Gray, Michael Francis Hannan
Ghosts and angels (Amanda Handel/GL Seiler), Michael Francis Hannan
Incredible (Daisy Hicks), Michael Francis Hannan
Moral rights denied to Boardman and Bizet, Michael Francis Hannan
Preludes sonata (Michel Keiran Harvey), Michael Francis Hannan
Return fire (Exit Wounds), Michael Francis Hannan
The director’s cult, Michael Francis Hannan
Editorial: Proceedings of the 16th International Seminar of the Commission for the Education of the Professional Musician (CEPROM), Michael Francis Hannan and Dawn Bennett
New models for educating professional musicians in the twenty-first century proceedings of the 16th International Seminar of the Commission for the Education of the Professional Musician (CEPROM), Michael Francis Hannan and Dawn Bennett
Howard's way: WorkChoices, welfare reform and the working wounded, Yvonne A. Hartman and Sandy Darab
What influences social work students’ knowledge of, attitudes towards and interest in working with older people?, Karen Heycox and Mark Hughes
Come together: linking analysis and music creation, Matthew Hill
Older lesbians and gays accessing health and aged-care services, Mark Hughes
Organisations and management in social work, Mark Hughes and Michael Wearing
Report on the Statistical Description and Analysis of the 2006 Metis nation of British Columbia Provincial Survey, Peter Hutchinson, Mike Evans, and Colin Reid
From vulgar words to lightening bolts: Nietzsche on style, language and experience, Erika Kerruish
...down river..., Leonie Lane
New models for educating professional musicians in the twenty-first century, Annie Mitchell
Teaching Australia: investigating the ethics of cultural encounters, Baden Offord and Robert Kostevc
Customs, commons, property, and ecology: case studies from Oceania: special issue: human organization, John Wagner and Mike Evans
Addressing work: industrial women and organising in the interwar years, Rosemary Webb
Collaborative women: industrial organising and the sex divide in Sydney’s inter-war years, Rosemary Webb
‘Politics have replaced justice’ (Major Michael Mori, July 2006): the long imprisonment of David Hicks, Rosemary Webb
Review of Gill Kirton 2006, The making of women trade unionists, Aldershot: Ashgate, Rosemary Webb
Between alimentary products and the art of cooking: the industrialisation of eating at the world fairs - 1888-1893, Adele Wessell
The pleasure of slow learning: cultivating communities in food education, Adele Wessell
Papers from 2006
Anywhere but here..., Dallas Angguish
Grip, Maree Bracker
Sweep, Maree Bracker
Dangerous liaisons: home-business-school networks, Angela Coco, Merrilyn Goos, and Alex Kostogritz
Clients, colleagues or experts? defining identities in an action research project, Angela Coco, Catherine Varnier, and Chris Deftereos
Let's we forget: responsibility and the archive under Howard, Grayson Cooke
Technics and the human at zero-hour: Margaret Atwood’s Oryx and Crake, Grayson Cooke
Innovative or experimental writing, Moya Costello
Review of A change in the weather: climate and culture in Australia by T Sherratt, T Griffiths & L Robin (eds), Moya Costello
Short but sweet, Moya Costello
Simon Robb: the Hulk, Moya Costello
She comes from text, Moya Costello and Sue Rodwell
Ether to 01: digitising radio, Rebecca Coyle
Radio Norfolk: community and communication on Norfolk Island, Rebecca Coyle
A preventative approach to plagiarism: an empirical study of a first-year unit for undergraduates, Sandy Darab
EVENTual BodieSpaces, Fiona V. Fell
Graft, Fiona V. Fell
The locals: a critical survey of the idea in recent Australian scholarly writing, Robert George Garbutt
White “Autochthony”, Robert George Garbutt
Alchemical pianism: Michael Hannan listens to Lisa Moore play in Byron Bay, Michael Francis Hannan
Carolan (Peter Carolan), Michael Francis Hannan
Contemporary music student expectations of musicianship training needs, Michael Francis Hannan
Flame, Michael Francis Hannan
Guerrillas in the mix (Freak Radicals), Michael Francis Hannan
ICON (Continuum Sax), Michael Francis Hannan
Intermedia collaboration for The Flood, Michael Francis Hannan
Interrogating comprovisation as practice-led research, Michael Francis Hannan
Libertango: The music of Astor Piazzolla, Michael Francis Hannan
Look both ways (dir. Sarah Watts), Michael Francis Hannan
Making music: inside/outside, Michael Francis Hannan
Musica Viva: 60th anniversary selected commissions 1975-2004, Michael Francis Hannan
Music making in Nimbin: a short history, Michael Francis Hannan
Out of the blue (TSO; Music by Nigel Westlake), Michael Francis Hannan
The classic 100 piano, Michael Francis Hannan
Tracy Redhead, Michael Francis Hannan
Unlikely places (Raw Honey), Michael Francis Hannan
Social work students’ attitudes towards and interest in working with older people: an exploratory study, Karen Heycox and Mark Hughes
'See hear now': reflections on a multi-arts performance festival, Matthew Hill
Imagined futures and communities: older lesbian and gay people’s narratives on health and aged care, Mark Hughes
Queer ageing, Mark Hughes
Knowledge and interest in ageing: a study of final-year social work students, Mark Hughes and Karen Heycox
The response of general practitioners to the threat of violence in their practices: results from a qualitative study, Parker Magin, Jon Adams, Malcolm Ireland, Elyssa Joy, Susan Heaney, and Sandy Darab
Swimming across the currents: the role of the jazz concerto in the development of third stream music and its relevance to contemporary music, Annie Mitchell
Social work and social care practice, Ian O'Connor, Mark Hughes, Danielle Turney, Jill Wilson, and Deborah Setterlund
Live drawing, Kellie O'Dempsey
Activating human rights through questions of value and activism, Baden Offord
Gay nationalism: book review of Tom Boellstorff 'The Gay Archipelago: Sexuality and Nation in Indonesia', Baden Offord
Landscapes of exile: once perilous, now safe, Baden Offord
Introduction in 'Activating human rights', Baden Offord and Elisabeth J. Porter
Activating human rights, Elisabeth J. Porter and Baden Offord
Booralee: the lost fishing village of Botany, John Smith
Toward a broad understanding of musical interpretation, Paul Thom
‘Politics have replaced justice’ (Major Michael Mori, July 2006): the long imprisonment of David Hicks, Rosemary Webb
Reading religion and consuming the past in the feast of Guadalupe, Adele Wessell and Andrew Jones