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Papers from 2010

Concerto soloist with Anita Schwabe Trio, live performance, Matthew Marshall, Anita Schwabe, P Dyne, and R Seller

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Lee Papa (ed.), Staged action: six plays from the American Workers' Theatre.(Book review), Lisa Milner

The Waterside Workers’ Cultural Committee, Lisa Milner

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Bastardising the Waterfront Dispute: production and critical reception of the Bastard Boys mini-series, Lisa Milner and Rebecca Coyle

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Education in practical music through group teaching, Annie Mitchell

Collaborations for Leadership and Applied Health Research and Care (CLAHRCs) in the NHS in England, Susan Nancarrow

Balancing contradictions: the experiences of biological children of foster families, Elaine Nuske

Australian identity and belonging at a crossroads, Baden Offord

Darker shades of royal, Denise N. Rall

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Locating four pathways to internet scholarship, Denise N. Rall

Women, craft and protest: yesterday and today, Denise N. Rall and Moya Costello

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The personal is the professional: exploring barriers to genuineness in parent-family worker relationships, Elizabeth Reimer

Caught in-between: Mudrooroo's vexed deconstruction of Australianness, Cornelius Martin Renes

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Sally Morgan: Aboriginal identity retrieved and performed within and without My Place, Cornelius Martin Renes

Uncommon inscriptions of well-being: writing Australia into My Place, Cornelius Martin Renes

Auto-choreography: animating sentient archives, Kim M. Satchell

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THIS: message in a bottle to Jimmie Durham, Kim M. Satchell

Dha, sound recording (CD), Bobby Singh, Barry J. Hill, Cleis Pierce, Ben Walsh, Sukhi Singh, and Greg Sheehan

A eulogy for Fisherman’s Village, John Smith

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Queer memoir: public confession and/as sexual practice in Eve Kosofsky Sedgwick's A Dialouge on Love, Elizabeth Stephens

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Sex as a normalising technology: early-twentieth-century public sex education campaigns, Elizabeth Stephens

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The pharmacopornographic subject: Beatrice Preciado’s testo junkie: sexe, drogue et biopolitique, Elizabeth Stephens

Venus in the archive: anatomical waxworks of the pregnant body, Elizabeth Stephens

Welfare colonialism and traditional culture: the case of child protection in the Solomon Islands, Lester J. Thompson and Richard Hil

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Work is a human right: seeking asylum, seeking employment, Rosemary Webb

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Making a pig of the humanities: re-centering the historical narrative, Adele Wessell

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We are what we grow: reading a tastescape as a text of cultural history, Adele Wessell

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Rewriting the menu: the cultural dynamics of contemporary food choices, Adele Wessell and Donna Lee Brien

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Recipes for reading culinary heritage: Flora Pell and her cookery book, Adele Wessell and Alison Wishart

Papers from 2009

Reflections on being, and becoming, Métis in British Columbia, Jean Barman and Mike Evans

Collectivity as "muse": being public without a parachute, Maree Bracker

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Zephyr, installation, Maree Bracker

Ludic action 1 and 2, artwork (digital), Darren Bryant

Barometers of institutional inflexibility: using the movement through timespace conceptualizations of Dervin’s sense-making methodology, Angela Coco

Understanding students’ reception of study materials: applying Dervin’s sense-making methodology, Angela Coco

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The cosmeceutical face: time-fighting technologies and the archive, Grayson Cooke

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We had faces then: Sunset Boulevard and the sense of the spectral, Grayson Cooke

At home in text on the coast, Moya Costello

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Of lemon tarts: writing, culture, neoconservatism, Moya Costello

Reviving the corpus of Australian literature [review of Macquarie Pen Anthology of Australian Literature], Moya Costello

Drawn to sound: animation film music and sonicity, Rebecca Coyle

Hearing screen animation, Rebecca Coyle

'Now you blokes own the place': representations of Japanese culture in recent Australian cinema, Rebecca Coyle

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Orchestrating the waterfront dispute: music and discourse in Bastard Boys, Rebecca Coyle

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Thwack! hearing the motion in animation, Rebecca Coyle

Applying for government grants for ICT in Australia, Lynne De Weaver

Barriers to health and social service delivery for urban Aboriginal People in the Okanagan Valley, Mike Evans

BC Metis land use study and historical research into the presence of Metic in BC, Mike Evans

The historiography of a moving object: emerging understandings of the North American Metis: A book review of 'The long journey of a forgotten people: Metis identities and family histories' and 'The Western Metis: profile of a people', Mike Evans

The Metis of British Columbia: culture, tradition and the contemporary community, video recording, Mike Evans, J Corbett, S Foster, J Gervais, R Mann, P Hutchinson, Z Romano, and C Swanzey

Representation in participatory video: some considerations from research with Métis in British Columbia, Mike Evans, Stephen Foster, Jon Corbett, Erin Dolmage, Joanne Gervais, Raquel Mann, and Zachary Romano

The Prince George Metis Elders documentary project, installation (interactive video), Mike Evans, Stephen GH Foster, Craig Campbell, Anabelle Rodriguez, and Fiona McDonald

The Metis of BC: music and dance, video recording, Mike Evans, Stephen Foster, R Mann, J Gervais, and C Swanzey

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Attitudinal divergence and the Tongan transnational system, Mike Evans, Paul Harms, and Colin Reid

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Common insights, differing methodologies toward a fusion of indigenous methodologies, participatory action research, and white studies in an urban aboriginal research agenda, Mike Evans, Rachelle Hole, Lawrence D. Berg, Peter Hutchinson, and Dixon Sookraj

BC Metis research agenda: history and culture, DVD recording, Mike Evans, R Mann, and J Gervais

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Creating those good vibrations: an analysis of Brian Wilson's US top 40 hits 1963–66, Jon Fitzgerald

Make ’em laugh, make ’em cry: the use of production music in Australian reality television series Nerds FC, Jon Fitzgerald

Inflamed: synthetic folk music and paganism in the island world of The Wicker Man, Jon Fitzgerald and Philip Hayward

Outlier style: the Futuna sound and Vanuatu stringband music, Jon Fitzgerald and Philip Hayward

The Prince George Metis Elders documentary project, installation (interactive video), Stephen GS Foster, Mike Evans, and Cheryl L'hirondelle

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Social inclusion and local practices of belonging, Robert George Garbutt

Sound and music in Hammer’s vampire films, Michael Francis Hannan

The listening post, Yvonne A. Hartman

Sandalwood sunset, poetry, Lynda Hawryluk

The Imperial, poetry, Lynda Hawryluk

The sky is darker at night, poetry, Lynda Hawryluk

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The sliding scale of celebrity authorship: three writers face their adoring (and otherwise) public with very different results, Lynda Hawryluk

Play School keeps it real, Lisa Hill

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Linking analysis and creation: an improvised study, Matthew Hill

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Art 39 Basel, Wes Hill

Jeff Koons in the palace, Wes Hill

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Jeremy Deller: from one revolution to another, Wes Hill

Mangareva: Pantheon of Polynesia, Wes Hill

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Michael Sailstorfer: no light, Wes Hill

Tim Woodford in coversation with Wesley Hill, Wes Hill

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Indicators of community cohesion in an Australian country town, Louise Holdsworth and Yvonne A. Hartman

Imagined futures and communities: older lesbian and gay people’s narratives on health and aged care, Mark Hughes

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Lesbian and gay people's concerns about ageing and accessing services, Mark Hughes

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Social work practice with older lesbians and gay men by Ann Fannin, Lee-Ann Fenge, Christina Hicks, Nichola Lavin and Keith Brown, Mark Hughes

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Diversity and ageing, Mark Hughes, Elizabeth Ozanne, and Christine Bigby

Advocacy: an overarching approach, Mark Hughes and Jill Wilson

Work-family balance: a contemporary challenge for social workers, Parveen Kallaith, Mark Hughes, and Peter Newcombe

Work-family conflict and enrichment among Australian social workers: an assessment of the direct and moderation effects, Parveen Kallaith, Peter Newcombe, and Mark Hughes

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Interpreting feeling: Nietzsche on the emotions and the self, Erika Kerruish

Solo classical guitar performances: Arts on Tour New Zealand, live performance, Matthew Marshall

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Still life with guitar, sound recording (CD), Matthew Marshall

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Kenny and Australian cinema in the Howard era, Lisa Milner

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Kenny: the evolution of the battler figure in Howard's Australia, Lisa Milner

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Androgynous ethical intervention and living history, Baden Offord

The queer(y)ing of Australian public culture discourse: activism, rights discourse and survival strategies, Baden Offord

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Echoes of a not so mythical past: memories of race in Elizabeth Jolley's The Well, Cornelius Martin Renes

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Elizabeth Jolley’s The Well: fathoming postcolonial depths in the female gothic, Cornelius Martin Renes

Historical f(r)iction: the reconciliation of Australianness to its colonial past, Cornelius Martin Renes

Ten canoes and the reel representation of Aboriginality, Cornelius Martin Renes

The Bird, live performance, Bobby Singh, Barry J. Hill, Ben Walsh, and Simon Durrington

Fisherman's Village, John Smith

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Coining spermatorrhoea: medicine and male body fluids, 1836-1866, Elizabeth Stephens

Queer monsters: technologies of self-transformation in Bulwer's Anthropometamorphosis and Braidotti's Metamorphoses, Elizabeth Stephens

Queer writing homoeroticism in Jean Genet's fiction, Elizabeth Stephens