Papers from 2011
Beneath Clouds and The Boys: jazz artists making film music, Matthew Hill
2011 Screen Sound 2 27-47.
Out of the speakers: analysis tools for recorded music, Matthew Hill
2011 Making sound waves: diversity, unity, equity: Proceedings of the XVIII Australian Society for Music Education National Conference 135-143.
Ai WeiWei, Wes Hill
2011 Eyeline 73.
Charley Harper, Wes Hill
Dirk Stewen, Wes Hill
2011 Frieze d/e 3.
Into the trees: the forking paths of Gary Carsley, Wes Hill
2011 Art & Australia 49:1.
La Biennale di Venezia: 54th international art exhibition 2011, Wes Hill
2011 Eyeline 75.
Matt Mullican, Wes Hill
2011 Artforum International.
Paul Laffoley, Wes Hill
2011 Artforum International.
Plamen Dejanoff, Wes Hill
2011 Artforum International.
Sarah Ryan, Wes Hill
2011 Art & Australia 48:4.
Zoe Leonard, Wes Hill
2011 Frieze 143.
Lemurs, roswell, wheat, pyramids, mosquitoes, yellow skin, humans that lay eggs, nazi aryanism, Wes Hill and Wendy Wilkins
From banana to Bollywood: the creation of Woolgoolga Curryfest as an expression of community, Mandy Hughes
2011 Regional Food Cultures and Network Conference.
The social life of food: Book review: A sociology of food and nutrition: the social appetite, Mandy Hughes
2011 Australian Humanities Review 51.
Experiences and issues faced by lesbian, gay, bisexual, transgender (GLBT) carers, and those for whom they care, and implications for service provision, Mark Hughes
2011 Changing society; changing needs – new directions in carers support: Carers NSW Biennial Conference.
The Productivity Commission inquiry into aged care: a critical review, Mark Hughes
2011 Australian Social Work 64:4 526-536.
Older LGBT people’s care networks and communities of practice: a brief note, Mark Hughes and Sue Kentlyn
2011 International Social Work 54:3 436-444.
Faith-based homespace: decoding good taste in a monastery, Andrew S. Jones and Adele Wessell
2011 Food as communication: communication as food 57-72.
Caravans & communes: stories of settling in the Tweed 1970s & 1980s, Johanna Kijas
Life under the light: lighthouse families of New South Wales, Johanna Kijas
Not leaving it to chance: establishing an organisational culture for organ donation in South Australia, Johanna Kijas
Risk and efficacy in biomedical media representations of herbal medicine and complementary and alternative medicine (CAM), Monique Lewis
2011 Journal of Evidence-Based Complementary and Alternative Medicine 16:3 210-217.
Serenade, music for guitar and string orchestra, live performance, Matthew Marshall
Solo classical guitar recital, BLOW! Festival of Creative Arts, live performance, Matthew Marshall
Guitarmania! Latin American music for one and two guitars, live performance, Matthew Marshall and C Ross
The empowered female and the re-configuration of power relations in African-American women writers’ neo-slave narratives, Maja Milatovic
2011 9th Aberystwyth-Lancaster graduate colloquium.
Curry communism and ancient epics: a taste of South India, Lisa Milner
2011 Food for thought: writing recipes & art.
Framing the unions: the changing images of unionists on screen, Lisa Milner
2011 Labour history and its people: papers from the twelfth National Labour History Conference 204-213.
Screening unions: representations of worker-citizenship in Australia films, Lisa Milner
2011 International Journal of the Arts in Society 6:2 139-150.
Education in practical music through group teaching, Annie Mitchell
2011 Problems in Music Pedagogy 8 33-39.
Australia - an unfinished western colonial project, Baden Offord
2011 Centre for Pacific and American Studies Newsletter 11:2 1-3.
Singapore, Indonesia and Malaysia: arrested development!, Baden Offord
2011 The lesbian and gay movement and the state: comparative insights into a transformed relationship 135-152.
Village in the jungle: the eighth annual Doireann MacDermott lecture, Baden Offord
2011 Coolabah 5 182-194.
A scholarly affair: proceedings of the Cultural Studies Association of Australasia 2010 national conference, Baden Offord and Robert Garbutt
Cultural literacy and social justice: enabling human rights in and beyond the classroom, Baden Offord and John Ryan
2011 Learning and Teaching: An International Journal In classroom Pedagogy 4:1 27-40.
Access learning: facilitating international experience as a means to enhance language culture awareness, Garcia G. Perez, Mike Evans, and Macola C. Rojo
2011 International Association for Technology, Education and Development (INTED) 2011 Conference 3607-3615.
Supervisor ‘secrets’ to retaining workers in stressful family-based practice, Elizabeth Reimer
2011 Workforce and innovation: building future capacity: FRSA National Conference.
YAPA survey of youth workers and youth services in NSW, Elizabeth Reimer and S Kendal
2011 Youth Action Policy Association (YAPA), Sydney, NSW.
Dreamtime narrative and postcolonisation:
Alexis Wright’s Carpentaria as an antidote to the discourse of
intervention, Cornelius Martin Renes
2011 The Journal of the European Association of Studies on Australia 2:1 102-122.
How to 'shoot' the aborigine: authenticity and reconciliation in recent independent Australian cinema, Cornelius Martin Renes
2011 AEDEAN XXXV.
Introduction to food for afterthought, Cornelius Martin Renes
2011 Coolabah 5, Food for afterthought, special edn..
Once were warriors, but how about Maoritanga now? Novel and film as a dialogic third space, Cornelius Martin Renes
2011 Miscelánea: a Journal of English and American Studies 44.
Spectres of Mudrooroo: a suspended corpo-reality that 'matters', Cornelius Martin Renes
2011 European Journal of English Studies 15:1 45-56.
The stolen generations, a narrative of removal, displacement and recovery, Cornelius Martin Renes
2011 Lives in migration: rupture and continuity: essays on migration 30-49.
Kangaloon: in conversation, Kim M. Satchell
2011 Kangaloon Creative Ecologies Open Seminar.
Leave it to Shiva and occasional work, Kim M. Satchell
2011 The poetics of place.
The poetics of the weather: studies in creativity, Kim M. Satchell
2011 The ethical imaginations: writing worlds papers: the 16th conference of the Australasian Association Of Writing Programs, 2011.
The gentle breath I, artwork (painting), John Smith
Inventing the healthy body: the use of popular discourses in public anatomical exhibitions, Elizabeth Stephens
2011 The body divided: human beings and human ‘material’ in modern medical history 223-238.
Touching bodies: tact/ility in nineteenth-century medical photographs and models, Elizabeth Stephens
2011 Bodies, sex and desire from the renaissance to the present 87-102.
Ethical considerations for international social work and humanitarian work, Lester J. Thompson
2011 New Community Quarterly 9:33 29-33.
Perceptions about traditional culture in the Solomon Islands and their potential for assisting in the protection of vulnerable children, Lester J. Thompson and Dan Baschiera
2011 International Journal of Interdisciplinary Social Sciences 6:2 79-97.
Child protection consultation in the Solomon Islands, capacity building or welfare colonialism, Lester J. Thompson, Catherine Koerner, and Aaron Olofia
2011 Directions and intersections: Proceedings of the 2011 Australian Critical Race and Whiteness Studies Association and Indigenous Studies Research Network Joint Conference.
Theoretical considerations regarding social work education: do ethics matter and if so how do you teach them?, Lester J. Thompson and Malcolm R. Pumpa
2011 Proceedings of the Philosophy of Education Society of Australasia (PESA) Conference.
Mother's interrupted: puerperal insanity in early twentieth century Australia, Alison Watts
2011 Mothers at the margins, sixth International Conference on Motherhood.
Mothers interrupted: puerperal insanity in early twentieth century, Australia, Alison Watts
2011 School of Arts and Social Sciences HDR Colloquium, Southern Cross University.
Labour biography on screen: the case of Freda Brown, Rosemary Webb and Lisa Milner
2011 Labour history and its people: papers from the twelfth National Labour History Conference 191-203.
Dairy chains: consumer foodways and agricultural landscapes, Adele Wessell
2011 Coolabah:5 251-260.
From 'training in citizenship and home-making' to 'plating up': writing Australian cookbooks for younger readers, Adele Wessell and Donna Lee Brien
2011 The ethical imaginations: writing worlds papers - the refereed proceedings of the 16th conference of the Australasian Association of Writing Programs 1-11.
Papers from 2010
Bubbles, short story, Dallas Angguish
2010 Polari Journal 1.
Irezumi, short story, Dallas Angguish
2010 Polari Journal 2.
Word of mouth, poetry, Dallas Angguish
2010 Text 14:2.
Monstrous fairytales: towards an Écriture Queer, Dallas J. Baker
2010 Colloquy: Text Theory Critique 20 79-103.
Cultural studies in action: principled socially inclusive pedagogy and higher education equity projects, Soenke Biermann, Robert George Garbutt, and Baden Offord
2010 Learning, teaching and social justice in higher education 85-99.
Pig: a scholarly view, Donna Lee Brien and Adele Wessell
2010 M/C Journal 13:5.
A ‘ruined or fractured’ sublime: voice, identity and agency in reading and writing the gothic/noir in subtropical regional Australia, Tessa Chudy, Nell Cook, and Moya Costello
2010 Strange bedfellows or perfect partners papers: the refereed proceedings of the 15th conference of the Australasian Association of Writing Programs.
Beneath the grace of clouds, novel, Janie Conway-Herron
Appearing to act younger: the face of Avon, Grayson Cooke
De-inter-facement: 0100101110101101.org's portraits of second life avatars, Grayson Cooke
2010 Convergence: the journal of research into new media technologies 16:4 395-410.
Outback and beyond: live media as live research, Grayson Cooke
2010 A scholarly affair: National conference of the Cultural Studies Association of Australasia 55-61.
Start making sense: live audio-visual media performance, Grayson Cooke
2010 International Journal of Performance Arts and Digital Media 6:2 193-208.
sweet as . . ., multimedia photographic exhibition, Grayson Cooke
2010 Queenland Arts Council's Ontour onexhibition program.
Cor/respondence, Melanie Vanaria Jamieson: Trash and Treasure, Lismore Regional Gallery, Lismore, NSW, 4 September - 2 October 2010, exhibition, Moya Costello
'The drink has called it into being': a year in a wine column, Moya Costello
2010 Text special issue, no. 9.
Are you there?, Rebecca Coyle
2010 Virtual encounters: Paula Dawson - holograms.
Introduction: Drawn to sound: animation film music and sonicity, Rebecca Coyle
2010 Drawn to sound: animation film music and sonicity 1-22.
Memory Theatre 1, Rebecca Coyle
2010 Virtual encounters: Paula Dawson - holograms.
Point of audition: sound and music in Cloverfield, Rebecca Coyle
2010 Science Fiction Film and Television 3:2 217-238.
Disney does Broadway: musical storytelling in The Little Mermaid and The Lion King, Rebecca Coyle and Jon Fitzgerald
2010 Drawn to sound: animation film music and sonicity 223-248.
DreamWorking Wallace & Gromit: musical thematics in The Curse of the Were-Rabbit, Rebecca Coyle and Peter Morris
2010 Drawn to sound: animation film music and sonicity 191-208.
Storytelling: the hindrance of holding a raw egg: storytelling and the liminal space, Iris Curteis
2010 Local-Global: Identity, Security, Community 7 150-162.
The role of informal networks in providing effective work opportunities for people with an intellectual disability, Michelle Donelly, A Hillman, RJ Stancliffe, M Knox, Louise Whitaker, and T R. Parmenter
2010 Work: A Journal of Prevention, Assessment and Rehabilitation 36:2 227-237.
Here there are Metis: BC Metis land use study and historical research into the presence of Metis in BC, Mike Evans
2010 UBC Okanagan/MNBC Research Agenda Team.
A case of geocide: the political and cartographic erasure of the Island Cache (British Columbia), Mike Evans and Stephen Foster
2010 Shima: the International Journal of Research into Island Cultures 4:2 88-97.
Outskirts of flame, installation (performance art), Fiona V. Fell
2010 Outskirts of flame, Broken Hill art exchange.
Select and save a collaboration, exhibition, Fiona V. Fell and Llyndal Adams
2010 The McNaughton Focus Gallery, Tweed Heads, NSW, 25 June - 8 August.
Resilient appliances: music sound image and narrative in The Brave Little Toaster, Jon Fitzgerald and Philip Hayward
2010 Drawn to sound: animation film music and sonicity 160-173.
The Prince George Metis Elders documentary project, installation (interactive video), Stephen GS Foster, Mike Evans, and Andrew Connors
The Clearing: Heidegger's Lichtung and The Big Scrub, Robert George Garbutt
2010 Cultural Studies Review 16:1.
The Brian May Collection: two decades of screen composition manuscripts, Michael Hannan
2010 Screen Sound 1.
The DIY learning revolution in music, Michael Hannan
2010 29th World Conference of the International Society for Music Education 80-83.
The musician in creative and educational spaces of the 21st Century: Proceedings of the 18th International Seminar of the Commission for the Education of the Professional Musician (CEPROM),, Michael Francis Hannan
Valuing music composition in Australian feature film production, Michael Francis Hannan
2010 Proceedings of the International Association for the Study of Popular Music (IASPM): Instruments for Change Conference 34-37.
Policy and the lifeworld: a comparative analysis, Yvonne A. Hartman and Sandy Darab
2010 Performing policy: the everyday experience of social policy symposium.
Writing workshops as cultural tourism: a case study and discussion on this evolving form of tourism, Lynda Hawryluk
2010 The Strange Bedfellows or Perfect Partners Papers: the refereed proceedings of the 15th conference of the Australasian Association of Writing Programs.
Lust in space: science fiction themes and sex cinema (1960-82), Philip Hayward
2010 Earogenous zones: sound, sexuality and cinema 102-124.
Polar grooves: dance music and musicality in Happy Feet, Philip Hayward
2010 Drawn to sound: animation film music and sonicity 90-103.
Zero gravity: science fiction themed porn cinema and its soundtracks 1990-2010, Philip Hayward and Emil Stoichkov
2010 Earogenous zones: sound, sexuality and cinema 125-139.
The Sunflower project at Bluesfest 2013: the challenges of technocultural transformation and innovation in a 'Green Music' festival, Barry J. Hill
2010 PopCAANZ 4th Annual International Conference.