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Papers from 2010

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The Sunflower project at Bluesfest 2013: the challenges of technocultural transformation and innovation in a 'Green Music' festival, Barry J. Hill

2010 PopCAANZ 4th Annual International Conference.

Human machine music, installation (interactive), Barry J. Hill and Joshua Batty

2010 New Interfaces for Musical Expression.

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Gender and genre: situating Desperate Housewives, Lisa Hill

2010 Journal of Popular Film and Television 38:4 162-169.

Basquiat notes: reflections on the career of artist Jean-Michael Basquiat, Wes Hill

2010 Art Monthly Australia 236 17-19.

Gilbert and George: Jack Freak pictures, Wes Hill

2010 Photofile 88.

John Heartfield, Wes Hill

2010 Photofile 88.

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Katharina Fritsch, Wes Hill

2010 Eyeline 72.

Letter from Art Forum Berlin, Wes Hill

2010 Art Monthly Australia 227.

Lillian Bassman & Paul Himmel: retrospective, Wes Hill

2010 Photofile 89.

Paul Graham: a retrospective, Wes Hill

2010 Photofile 91 76-77.

Rineke Dijkstra, Wes Hill

2010 Photofile 90.

Getting it right: an appraisal of the New South Wales government apology to the forgotten australians, Richard Hil, Nick Rose, and Gregory P. Smith

2010 Surviving care: achieving justice and healing for the forgotten Australians 101-122.

Storytelling, healing and the forgotten Australians, Richard Hil and Gregory P. Smith

2010 Surviving care: achieving justice and healing for the forgotten Australians 47-64.

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Expectations of later life support among lesbian and gay Queenslanders, Mark Hughes

2010 Australasian Journal on Ageing 29:4 161-166.

GLBTI people’s expectations about ageing and accessing services, Mark Hughes

2010 Climate for change: ageing into the future: International Federation on Ageing 10th Global Conference.

Older people, ageing and social work: knowledge for practice, Mark Hughes and Karen Heycox

2010.

Diversity and older people’s care networks: research in progress, Mark Hughes and Sue Kentlyn

2010 Doing diversity: 7th National GLBTI Health in Difference Conference.

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Same place, different views: exploring the Wilsons River story sites community history project, Johanna Kijas

2010 The Public Historian 32:2 51-60.

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Concerto soloist, Guitar Concerto in D - Vivaldi, live performance, Matthew Marshall

2010.

Concerto soloist, Kapiti Concert Orchestra, live performance, Matthew Marshall

2010.

Solo recital, Academy of Performing Arts, Hamilton, live performance, Matthew Marshall

2010.

Solo recital, Paekakariki, live performance, Matthew Marshall

2010.

Solo recital, St. Peter's Music Festival, live performance, Matthew Marshall

2010.

Fridays at Five, chamber music recital, live performance, Matthew Marshall, E Sayers, R Mapp, M Medlyn, and B Greenfield

2010.

Concerto soloist with Anita Schwabe Trio, live performance, Matthew Marshall, Anita Schwabe, P Dyne, and R Seller

2010.

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Lee Papa (ed.), Staged action: six plays from the American Workers' Theatre.(Book review), Lisa Milner

2010 Labour History: A Journal of Labour and Social History 98 272-273.

The Waterside Workers’ Cultural Committee, Lisa Milner

2010 Radical Sydney : places, portraits and unruly episodes 273-278.

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Bastardising the Waterfront Dispute: production and critical reception of the Bastard Boys mini-series, Lisa Milner and Rebecca Coyle

2010 Communication, Politics & Culture 43:1 143-164.

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Education in practical music through group teaching, Annie Mitchell

2010 29th World Conference of the International Society for Music Education 151-154.

Balancing contradictions: the experiences of biological children of foster families, Elaine Nuske

2010 Children Australia 35:3 32-37.

Australian identity and belonging at a crossroads, Baden Offord

2010 Change, conflict and convergence: Austral-Asian scenarios 44-52.

Darker shades of royal, Denise N. Rall

2010 Embellish 1:2 36-37.

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Locating four pathways to internet scholarship, Denise N. Rall

2010 Cultural Science 3:2.

Women, craft and protest: yesterday and today, Denise N. Rall and Moya Costello

2010 Australian Folklore: A Yearly Journal of Folklore Studies:25 79-96.

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The personal is the professional: exploring barriers to genuineness in parent-family worker relationships, Elizabeth Reimer

2010 Proceedings of Building a child friendly Australia: responding to vulnerable familes: Association of Children’s Welfare Agencies Conference.

Caught in-between: Mudrooroo's vexed deconstruction of Australianness, Cornelius Martin Renes

2010 34th AEDEAN Conference.

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Sally Morgan: Aboriginal identity retrieved and performed within and without My Place, Cornelius Martin Renes

2010 Estudios Ingleses de la Universidad Complutense 18 77-90.

Uncommon inscriptions of well-being: writing Australia into My Place, Cornelius Martin Renes

2010 Strokes across cultures: the 15th Triennial ACLALS Conference.

Auto-choreography: animating sentient archives, Kim M. Satchell

2010 Cultural Studies Review 16:1 104-118.

Becoming-Ninja: heterodox, academic freedom and other fairy tales, Kim M. Satchell

2010 A Scholarly Affair: Cultural Studies Association of Australasia National Conference.

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THIS: message in a bottle to Jimmie Durham, Kim M. Satchell

2010 Performance Paradigm 6 53-65.

Indolicious: sensuous scholarship in everyday life studies, Kim M. Satchell and Clifton Evers

2010 International Conference: Food for thought.

Dha, sound recording (CD), Bobby Singh, Barry J. Hill, Cleis Pierce, Ben Walsh, Sukhi Singh, and Greg Sheehan

2010.

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A sense of self and shame, Gregory P. Smith

2010 Proceedings of TASA Conference 2010: Social causes, private lives: the Australian Sociological Association Annual Conference.

A eulogy for Fisherman’s Village, John Smith

2010 Halfway house: the poetics of Australian spaces.

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Queer memoir: public confession and/as sexual practice in Eve Kosofsky Sedgwick's A Dialouge on Love, Elizabeth Stephens

2010 Australian Humanities Review 48.

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Sex as a normalising technology: early-twentieth-century public sex education campaigns, Elizabeth Stephens

2010 Psychology & Sexuality 1:3 262-274.

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The pharmacopornographic subject: Beatrice Preciado’s testo junkie: sexe, drogue et biopolitique, Elizabeth Stephens

2010 Polari Journal 2.

Venus in the archive: anatomical waxworks of the pregnant body, Elizabeth Stephens

2010 Australian Feminist Studies 25:64 133-145.

Welfare colonialism and traditional culture: the case of child protection in the Solomon Islands, Lester J. Thompson and Richard Hil

2010 New Community Quarterly 8:3 37-43.

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Work is a human right: seeking asylum, seeking employment, Rosemary Webb

2010 Migrant security 2010: refereed proceedings of the national symposium: citizenship and social inclusion in a transnational era 215-225.

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Making a pig of the humanities: re-centering the historical narrative, Adele Wessell

2010 M/C Journal 13:5.

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We are what we grow: reading a tastescape as a text of cultural history, Adele Wessell

2010 Text special issue, no. 9.

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Rewriting the menu: the cultural dynamics of contemporary food choices, Adele Wessell and Donna Lee Brien

2010 Text special issue, no. 9.

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Recipes for reading culinary heritage: Flora Pell and her cookery book, Adele Wessell and Alison Wishart

2010 ReCollections 5:1.

Papers from 2009

Reflections on being, and becoming, Métis in British Columbia, Jean Barman and Mike Evans

2009 BC Studies:161 59-91.

Collectivity as "muse": being public without a parachute, Maree Bracker

2009 Interventions in the public domain: proceedings of the Australian Council of University Art and Design Schools (ACUADS) Conference.

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Zephyr, installation, Maree Bracker

2009.

Ludic action 1 and 2, artwork (digital), Darren Bryant

2009.

Barometers of institutional inflexibility: using the movement through timespace conceptualizations of Dervin’s sense-making methodology, Angela Coco

2009 59th Annual International Communication Society Conference: workshop Addressing Communication's Keywords Communicatively: Multicontext Exemplars and Interrogations of the Uses of Dervin's sense-making methodology.

Understanding students’ reception of study materials: applying Dervin’s sense-making methodology, Angela Coco

2009 59th Annual International Communication Society Conference: workshop Addressing Communication's Keywords Communicatively: Multicontext Exemplars and Interrogations of the Uses of Dervin's sense-making methodology.

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The cosmeceutical face: time-fighting technologies and the archive, Grayson Cooke

2009 Transformations:17.

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We had faces then: Sunset Boulevard and the sense of the spectral, Grayson Cooke

2009 Quarterly Review of Film and Video 26:2 89-101.

At home in text on the coast, Moya Costello

2009 Something rich and strange: sea changes, beaches and the littoral in the antipodes 288-296.

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Of lemon tarts: writing, culture, neoconservatism, Moya Costello

2009 Outskirts: Feminisms Along the Edge 20.

Reviving the corpus of Australian literature [review of Macquarie Pen Anthology of Australian Literature], Moya Costello

2009 The Byron Shire Echo.

Drawn to sound: animation film music and sonicity, Rebecca Coyle

2009.

Hearing screen animation, Rebecca Coyle

2009 Metro Magazine: Media & Education Magazine 161 158-162.

'Now you blokes own the place': representations of Japanese culture in recent Australian cinema, Rebecca Coyle

2009 Diasporas of Australian cinema 103-114.

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Orchestrating the waterfront dispute: music and discourse in Bastard Boys, Rebecca Coyle

2009 Perfect Beat 10:1 103-117.

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Thwack! hearing the motion in animation, Rebecca Coyle

2009 Animation Journal 17 3-6.

Applying for government grants for ICT in Australia, Lynne De Weaver

2009 Encyclopedia of developing regional communities with information and communication technology.

Barriers to health and social service delivery for urban Aboriginal People in the Okanagan Valley, Mike Evans

2009 Okanagan Urban Aboriginal Health Research Collective Report, March 2009.

BC Metis land use study and historical research into the presence of Metic in BC, Mike Evans

2009 UBC Okanagan Final Research Report.

The historiography of a moving object: emerging understandings of the North American Metis: A book review of 'The long journey of a forgotten people: Metis identities and family histories' and 'The Western Metis: profile of a people', Mike Evans

2009 Great Plains Quarterly 29:3 237-239.

The Metis of British Columbia: culture, tradition and the contemporary community, video recording, Mike Evans, J Corbett, S Foster, J Gervais, R Mann, P Hutchinson, Z Romano, and C Swanzey

2009 Centre for Social, Spatial and Economic Jusice: Kelowna.

Representation in participatory video: some considerations from research with Métis in British Columbia, Mike Evans, Stephen Foster, Jon Corbett, Erin Dolmage, Joanne Gervais, Raquel Mann, and Zachary Romano

2009 Journal of Canadian Studies 43:1 87-108.

The Prince George Metis Elders documentary project, installation (interactive video) (Philadelphia Crane Arts), Mike Evans, Stephen GH Foster, Craig Campbell, Anabelle Rodriguez, and Fiona McDonald

2009.

The Metis of BC: music and dance, video recording, Mike Evans, Stephen Foster, R Mann, J Gervais, and C Swanzey

2009.

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Attitudinal divergence and the Tongan transnational system, Mike Evans, Paul Harms, and Colin Reid

2009 Migration and transnationalism: Pacific perspectives 115-131.

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Common insights, differing methodologies toward a fusion of indigenous methodologies, participatory action research, and white studies in an urban aboriginal research agenda, Mike Evans, Rachelle Hole, Lawrence D. Berg, Peter Hutchinson, and Dixon Sookraj

2009 Qualitative Inquiry 15:5 893-910.

BC Metis research agenda: history and culture, DVD recording, Mike Evans, R Mann, and J Gervais

2009.

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Creating those good vibrations: an analysis of Brian Wilson's US top 40 hits 1963–66, Jon Fitzgerald

2009 Popular Music and Society 32:1 3-24.

Make ’em laugh, make ’em cry: the use of production music in Australian reality television series Nerds FC, Jon Fitzgerald

2009 Perfect Beat 10:1 15-38.

Inflamed: synthetic folk music and paganism in the island world of The Wicker Man, Jon Fitzgerald and Philip Hayward

2009 Inflamed: synthetic folk music and paganism in the island world of The Wicker Man 101-111.

Outlier style: the Futuna sound and Vanuatu stringband music, Jon Fitzgerald and Philip Hayward

2009 Musical islands: exploring connections between music, place and research.

The Prince George Metis Elders documentary project, installation (interactive video) (New Media Exhibition), Stephen GS Foster, Mike Evans, and Cheryl L'hirondelle

2009 New Media Exhibition, ImagineNative Film and Media Arts Festival, Toronto, Canada, October.

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Social inclusion and local practices of belonging, Robert George Garbutt

2009 Cosmopolitan Civil Societies: An Interdisciplinary Journal 1:3 84-108.

Sound and music in Hammer’s vampire films, Michael Francis Hannan

2009 Terror tracks : music, sound and horror cinema.

The listening post, Yvonne A. Hartman

2009 4th North Coast Area Health Advisory Conference.

Sandalwood sunset, poetry, Lynda Hawryluk

2009 Melaleuca 6.

The Imperial, poetry, Lynda Hawryluk

2009 Melaleuca 6.

The sky is darker at night, poetry, Lynda Hawryluk

2009 Melaleuca 6.

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The sliding scale of celebrity authorship: three writers face their adoring (and otherwise) public with very different results, Lynda Hawryluk

2009 The Margins and Mainstreams Papers: the refereed proceedings of the 14th conference of the Australian Association of Writing Programs.

Play School keeps it real, Lisa Hill

2009 Media International Australia 132 67-77.

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Linking analysis and creation: an improvised study, Matthew Hill

2009 ​Improvise: Proceedings of Australasian Computer Music Conference 2009 38-45.

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Art 39 Basel, Wes Hill

2009 Eyeline 67.

Jeff Koons in the palace, Wes Hill

2009 Art Monthly Australia 222.

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Jeremy Deller: from one revolution to another, Wes Hill

2009 Eyeline 68.

Mangareva: Pantheon of Polynesia, Wes Hill

2009 Art & Australia 46:4.