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Papers from 2006

Dangerous liaisons: home-business-school networks, Angela Coco, Merrilyn Goos, and Alex Kostogritz

Clients, colleagues or experts? defining identities in an action research project, Angela Coco, Catherine Varnier, and Chris Deftereos

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Let's we forget: responsibility and the archive under Howard, Grayson Cooke

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Technics and the human at zero-hour: Margaret Atwood’s Oryx and Crake, Grayson Cooke

Innovative or experimental writing, Moya Costello

Review of A change in the weather: climate and culture in Australia by T Sherratt, T Griffiths & L Robin (eds), Moya Costello

Short but sweet, Moya Costello

Simon Robb: the Hulk, Moya Costello

She comes from text, Moya Costello and Sue Rodwell

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Ether to 01: digitising radio, Rebecca Coyle

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Radio Norfolk: community and communication on Norfolk Island, Rebecca Coyle

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A preventative approach to plagiarism: an empirical study of a first-year unit for undergraduates, Sandy Darab

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EVENTual BodieSpaces, Fiona V. Fell

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Graft, exhibition, Fiona V. Fell

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The locals: a critical survey of the idea in recent Australian scholarly writing, Robert George Garbutt

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White “Autochthony”, Robert George Garbutt

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Alchemical pianism: Michael Hannan listens to Lisa Moore play in Byron Bay, Michael Francis Hannan

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Carolan (Peter Carolan), Michael Francis Hannan

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Contemporary music student expectations of musicianship training needs, Michael Francis Hannan

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Flame, Michael Francis Hannan

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Guerrillas in the mix (Freak Radicals), Michael Francis Hannan

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ICON (Continuum Sax), Michael Francis Hannan

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Intermedia collaboration for The Flood, Michael Francis Hannan

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Interrogating comprovisation as practice-led research, Michael Francis Hannan

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Libertango: The music of Astor Piazzolla, Michael Francis Hannan

Look both ways (dir. Sarah Watts), Michael Francis Hannan

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Making music: inside/outside, Michael Francis Hannan

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Musica Viva: 60th anniversary selected commissions 1975-2004, Michael Francis Hannan

Music making in Nimbin: a short history, Michael Francis Hannan

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Out of the blue (TSO; Music by Nigel Westlake), Michael Francis Hannan

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The classic 100 piano, Michael Francis Hannan

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Tracy Redhead, Michael Francis Hannan

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Unlikely places (Raw Honey), Michael Francis Hannan

Brutus maximus, essay, Lynda Hawryluk

Sleeping beauty, short story, Lynda Hawryluk

Sydney is so much more than Bondi, poetry, Lynda Hawryluk

The city suite, essay and short stories, Lynda Hawryluk

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Social work students’ attitudes towards and interest in working with older people: an exploratory study, Karen Heycox and Mark Hughes

'See hear now': reflections on a multi-arts performance festival, Matthew Hill

Imagined futures and communities: older lesbian and gay people’s narratives on health and aged care, Mark Hughes

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Queer ageing, Mark Hughes

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Knowledge and interest in ageing: a study of final-year social work students, Mark Hughes and Karen Heycox

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The response of general practitioners to the threat of violence in their practices: results from a qualitative study, Parker Magin, Jon Adams, Malcolm Ireland, Elyssa Joy, Susan Heaney, and Sandy Darab

Swimming across the currents: the role of the jazz concerto in the development of third stream music and its relevance to contemporary music, Annie Mitchell

Social work and social care practice, Ian O'Connor, Mark Hughes, Danielle Turney, Jill Wilson, and Deborah Setterlund

Live drawing, artwork (drawing), Kellie O'Dempsey

Activating human rights through questions of value and activism, Baden Offord

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Gay nationalism: book review of Tom Boellstorff 'The Gay Archipelago: Sexuality and Nation in Indonesia', Baden Offord

Landscapes of exile: once perilous, now safe, Baden Offord

Introduction in 'Activating human rights', Baden Offord and Elisabeth J. Porter

Activating human rights, Elisabeth J. Porter and Baden Offord

Disciplinary diaspora or goldrush? tracking scholarly migration to internet studies and research, Denise N. Rall

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The 'house that Dick built': constructing the team that built the bomb., Denise N. Rall

"Earth to Google!": exploring geographic information systems (GIS) in relation to internet-based research tools, Denise N. Rall and Greg O. Luker

Submission to the NSW Department of Community Services Review of the NSW Children and Young Persons (Care and Protection) Act, Elizabeth Reimer

Booralee: the lost fishing village of Botany, John Smith

Toward a broad understanding of musical interpretation, Paul Thom

Compassionate coercion as a policy model: reflections on practical reconciliation and mutual obligation for Indigenous living conditions, Lester J. Thompson

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‘Politics have replaced justice’ (Major Michael Mori, July 2006): the long imprisonment of David Hicks, Rosemary Webb

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Reading religion and consuming the past in the feast of Guadalupe, Adele Wessell and Andrew Jones

Papers from 2005

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Lord Alice, short story, Dallas Angguish

Championing change with families where child neglect is an issue, M Berry and Elizabeth Reimer

Screening temporalities in searching times, Maree Bracker

Mihkwâkamiwi sîpîsis: stories and pictures from Metis Elders in Fort McKay, Craig Campbell, Alice Boucher, Mike Evans, Emma Faichney, Howard LaCorde, and Zachary Powder

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On impulse, sound recording (CD), Leigh Carriage

The Waifs and The Be Good Tanyas : two emerging contemporary folk trios trading parallel careers, Leigh Carriage

Australia and Asia: refugee practices and policies, Jo Coghlan

In their voices: experiences of Australia's mandatory detention policies, Jo Coghlan

Seeking refuge: asylum seekers and politics in a globalising world, Jo Coghlan, John Minns, and Andrew Wells

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Regionality and new media art, Grayson Cooke and Dea Morgain

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'Irrigorous uncertainties': writing, politics and pedagogy, Moya Costello

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She comes from text, exhibition, Moya Costello

Introduction: film, music mnemonics: Australian cinema scores in the 1990s and 2000s, Rebecca Coyle

Nashville and back: country music and film representation in Doing Time for Patsy Kline, Rebecca Coyle

Reel tracks: Australian feature film music and cultural identities, Rebecca Coyle

Untangling Lantana: a study of film sound production, Rebecca Coyle

Marking time in the Barry McKenzie films' music, Rebecca Coyle and Michael Francis Hannan

Assessing the communications and take up of academic values, codes and conventions: an empirical study of a first-year unit for undergraduates, Sandy Darab

Curriculum developement with the context of blended learning environments, Sandy Darab and Jill Phillips

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Identity and development: Tongan culture, agriculture, and the perenniality of the gift (review), Mike Evans

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Tongans overseas: between two shores: Book review, Mike Evans

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Whale-watching and the compromise of Tongan interests through tourism, Mike Evans

Troy Cassar-Daley and the sensitive touch, Jon Fitzgerald

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Local order, Robert George Garbutt

Gemeinschaft and the trauma recovery environment : a naturalistic inquiry in a rural Australian community, Jean A. Griffiths

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Advance Australia Fair (The Australian National Anthem), Michael Francis Hannan

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Beggars and angels (Works by Brett Dean), Michael Francis Hannan

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Catch (Music by Mary Finsterer), Michael Francis Hannan

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Hearing place: sound art exploring place from around the world (various artists), Michael Francis Hannan

Musical intertexuality in 'The Bank', Michael Francis Hannan

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Paul Doornbusch- corrosion: music for instruments, computers and electronics, Michael Francis Hannan

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Peter Sculthorpe- Songs of sea and sky (The Queensland Orchestra), Michael Francis Hannan

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Rabid Bay (Michael Kieran Harvey), Michael Francis Hannan

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Red earth (Tall Poppies Ensemble), Michael Francis Hannan

The auditory cultures reader (Michael Bull and Les Black), Michael Francis Hannan

Towards the development of a curriculum for contemporary musicianship, Michael Francis Hannan

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White ghost dancing (Works by Ross Edwards), Michael Francis Hannan

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In bed with the enemy: some ideas on the connections between neoliberalism and the welfare state, Yvonne A. Hartman

Observation and reflective learning in aged care settings, Karen Heycox and Mark Hughes

What influences student attitudes toward older people?, Karen Heycox and Mark Hughes